Tokugawa Pictures
The Escape
Summer 1996; 56 minutes; cast and crew of 8; approximate
cost of $10; rated PG-13

Synopsis
The Escape marks the first "serious" full-length Tokugawa
Picture. It has a very straightforward story which is told
via flashbacks, fifty-year time jumps, and heavy narration
from the character of Robert (played by David Benjamin). For
the sake of simplicity, here is the plot in a chronological
nutshell:
In 1998, NASA, in increasing its efforts to communicate with
extraterrestrial intelligence, develops a nearly perfect AI
(Artificial Intelligence) program which it incorporates into
its Voyager IV probe. Like all the other probes, this one
is sent into space and is never intercepted by alien life...
or is it?
A few years later, NASA detects the probe returning
to Earth, but it is out of their control.
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| Soon, the corrupted AI program inside Voyager IV is able
to remotely control all electronic machinery on Earth, and
launches nuclear weapons strategically in order to eliminate
the larger half of the Earth's population. Cut to the year
2048... Most of humanity has been wiped out by the entity,
and whoever is left is enslaved by the machines and robots
that now rule the world. |
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| One man, Robert, who is the son of the man
responsible for the AI computer, has escaped from the robots'
underground complex, but was captured and punished. Now, sensing
the danger to the human race, he instructs a young man on
how (and how not) to go about an escape, and why it is direly
necessary. As a result of his counseling, Robert is tortured
and killed, and his student, James (Clark Kirkman), makes
his escape. On his way out into the unknown wilderness, the
sunlit ground he has never experienced, James learns of his
enemy's larger plans: the eugenic advancement of the human
population followed by cranial implants, allowing the entity
to occupy the human populous rather than machines. James also
learns that he is alone in the outside world, and the only
way humanity can continue to exist is if the people captive
in the complex are set free. And to do that, James sacrifices
his life to destroy the Voyager IV probe itself.
Influences
This anti-technology movie was influenced
by Terry Gilliam's 12 Monkeys and, to an even greater
extent, George Lucas' first film, THX-1138 (yes,
that's where the "THX" sound system gets its name). 12
Monkeys' bizarre camerawork and inventive ending inspired
similar elements in this Tokugawa Pictures movie. In the
future world of THX-1138, Robert Duvall escapes a
dehumanized, super-efficient underground complex. I wrote
the script before I first saw this movie, but it
evolved a little after that...
Method
This movie was filmed, like its predecessor DP2, out
of order, but very little of it was shot "on location." Other
than the forest which represents the outside world and a house
that James runs into at the end of the movie, The Escape
was filmed in sets largely constructed out of cardboard in
various parts of Mr. Benjamin's house. The sets include: James'
living quarters, the interrogation room, the solitary confinement
room, the work room, a robot computer room, and a ventilation
shaft. This last set was nearly twenty feet long and had an
opening of about two square feet. For the filming of these
claustrophobic scenes, both Clark Kirkman and David Benjamin
(as the cameraman) had to stuff themselves into this small
space, and discovered just what was meant by confinement.
Additional color-filter work was put into the DVD version
of this movie, which can be seen in the images on this page.
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Firsts
- Massive cardboard sets were constructed, as explained
above. This is probably the biggest point.
- Bizarre camera angles, weird lighting, and a screwed-up
storyline.
- Simply the fact that this was largely a two-person movie.
Until this point, Tokugawa Movies have generally had large
casts, but this movie has only six characters (four of
which have about a minute of screen time). The low-scale
aspect of this movie allowed the two main players, Kirkman
and Benjamin, to have almost complete control over the
look of The Escape, and its non-mainstream, cultish
quality is further exemplified by the fact that, with
the exceptions of its creators, this movie is not as appreciated
as Tokugawa Pictures' other major works.
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Lessons learned
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If you want a movie to be popular, include
as many people as possible in its production.
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When filming in the forest, watch out
for poison oak, stinging nettles, poison ivy, and the
like. Actor Clark Kirkman, in evading the forces of
the malignant Voyager IV probe, learned this firsthand.
-
Try to show your story rather
than tell it. Fifteen minutes of narration tends to
bore the audience, and people always love some good
action.
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Hopefully this should be obvious, but it's worth repeating just
in case: NASA has not approved or endorsed this movie, and everything
concerning The Escape's Voyager IV probe is fiction. |